![]() ![]() According to the data, the recordings were made at different times as well as in the different African regions. This musical instrument consists of many strings which are plucked by the hands of the musician. Former President of the United States of America, Bill Clinton, played this instrument. At the Phonogram Archives, I was able to access abundant audio recordings made during fieldwork by mainly European scholars and researchers, while on the other hand by travellers may also be mentioned. The saxophone, or just sax, is one of my favourite instruments and is popularly used in the genres of jazz and blues. This referred to the historical Phonogram Archives (Phonogrammarchiv Berlin and Wien) including the museums, particularly the collections of African musical instruments in both institutions (Völkerkundemuseum Berlin and Wien, today’s World Museum of Viena). Are you looking for Musical Instruments Trivia Questions Checkout our top collection of Musical Instruments Quiz Question and Answer to test your knowledge. However, prior to leaving for field research, I undertook pre-studies in several institutions in Berlin and Vienna. Ethiopia, Uganda, Kenia, Tanzania and the Sudan, which took place between the months of February and July 2005. The investigations included a six month lasting fieldwork and data collection in thoughtfully selected five countries of this geographic region, i.e. The major aim of this scientific project gave particular attention to all types of blowing instruments found among the abundant ethnic communities of the East African region. In 2004 I received a research fellowship by the German Research Foundation (Deutsche Forschungsgemeinschaft, DFG). ![]() maqamat), how can Arabic musicians from different countries assemble outside their institutional and national borders? (2) How can we understand the heterogeneity of repertoires (scholarly and popular) when the musicians come from different traditions and institutions? Can musicians pursue the legacy-and legitimacy-of classical repertoires or do they necessarily have to embrace Arabic pop culture? Finally, (3) while they were part of the elite in their home countries, how are Arab musicians considered outside their musical institutions, in their new countries such as France and the United States? Have they remained elite musicians in the eyes of their new audiences? Or have they simply become ‘popular’ musicians, regardless of the repertoire they play? The assembling of Arabic music groups outside their institutional and national borders reveals new patterns and raises several questions: (1) While most Arabic countries do not share the same institutional music traditions, or the same repertoires (Arab-Andalusian vs. This paper traces the various steps of the redefinition process implemented by Arab musicians performing in France and in the United States. ![]()
0 Comments
Leave a Reply. |